"Perceptual Audio Coders - What To Listen For" - The Web Edition

• Juergen Herre, International Audio Laboraties Erlangen / Fraunhofer IIS
• Sascha Dick, International Audio Laboratories Erlengen, Fraunhofer IIS
• Christof Faller, Illusonic

Remapping the Model of Studio Production Techniques

• Amandine Pras, Department of Music, University of Lethbridge
• Paul Thompson, Leeds Beckett University
• Maël Peneau, EHESS / Centre Georg Simmel
• James Clemens-Seely, Banff Centre for Arts and Creativity
• Leonard Menon, University of Lethbridge

Gender Equity and Inequality in Audio engineering - Multiple Perspectives

• Amandine Pras, Department of Music, University of Lethbridge
• Ky Grace Brooks, School of Information Studies, McGill University Student member, CIRMMT, McGill University
• Jamie Angus-Whiteoak, University of Salford
• Shelley Ann McCarthy Buckingham, Limerick Institute of Techology
• Eliot Bates, The Graduate Center, CUNY
• Samantha Bennett, Australian National University

Studios in Higher Education

• Scott Burgess, Univ of Colorado - Denver
• Theresa Leonard, Aspen Music Festival and School
• Richard King, McGill University, Montréal, Québec, Canada
• Mark Drews, University of Stavanger

Teaching Technology in the Time of Pandemic

• Scott Burgess, Univ of Colorado - Denver
• Leslie Gaston-Bird, Mix Messiah Productions
• Neil Anderson-Himmelspach, Texas Christian University (TCU)
• Daniel Gonko, The Sounding Board
• George Hess, Sunway University

Keynote Lecture: Dicing With Audio

• Jamie Angus-Whiteoak, University of Salford

Investigating the Importance of Height Channels of Cinema Surround Systems

• Ahmed Gelby, Overdub UK - Edinburgh Napier University

Epic 3D Sound Design for Immersive Media

• Diogo Goncalves, Sound Particles

Virtual audio interfaces - interacting with sound and music in extended realities

• Przemyslaw Danowski, Fryderyk Chopin University of Music
• Andrei Isakov
• Jakub Wroblewski

Creating Audio Products with Maximum End User Value

• Wolfgang Klippel, Klippel GmbH