Immersive Audio Techniques for Beginners

• Marcela Rada, Algonquin College

Audio Archiving and Restoration: A Look at Different Facets of Safeguarding our Musical Heritage

• Ilse Assmann, Apricity Consulting
• Marie del Carmen Ordoño Vidaña,, Fonoteca Nacional de Mexico
• Jessica Thompson, Jessica Thompson Audio
• Nadja Wallaszkovits, abk Stuttgart
• Melissa Widzinski, Library of Congress

A complete guide to Networked Music Performance using free and open-source software

• Rebeka Wilson, Source Elements

Career path as an audio engineer in the world of the audio software industry

• Angelika Podola, Native Instruments GmbH
• Maryam Safi, Steinberg Media Technologies GmbH

Guiding Audiences with Sound: Techniques for interactive and games audio

• Lucy Harrison, ACM

NEMOSINE - the Future of Media Storage: Follow-up from the Lab

• Nadja Wallaszkovits, abk Stuttgart

A Discussion of the Legal Issues of Streaming

• Chris Cooke, CMU

AI in Audio

• Sehmon Burnam, Google Research, Google
• Bobby Lombardi, PACE Anti-Piracy, Inc.
• Heather Rafter, RafterMarsh
• Wisam Reid, Harvard University
• Alexander Wankhammer, Sonible

How to Get a Job in the Audio Industry

• Joe Lyons, Harman International Industries
• Cheryl Ottenritter, Ott House Audio
• Rebeka Wilson, Source Elements

Introducing the TC-MLAI

• Brecht De Man, Semantic Audio Labs
• Andy Sarroff, iZotope, Inc
• Christian Uhle, Fraunhofer IIS
• Gordon Wichern, Mitsubishi Electric Research Laboratories (MERL)