Perceptual Audio Coders - What To Listen For: Launch of The Web Edition

• Sascha Dick, International Audio Laboratories Erlengen, Fraunhofer IIS
• Christof Faller, Illusonic
• Jürgen Herre, International Audio Laboratories Erlangen, Fraunhofer IIS

Can the same audience experience achieved with a ground-based subwoofer system be delivered with a flown subwoofer system?

• Etienne Corteel, L-Acoustics
• Adam J. Hill, University of Derby
• Michael Lawrence, Rational Acoustics
• Elena Shabalina, d&b audiotechnik

Women in Audio: Today's Leaders

• Phebean Adedamola Oluwagbemi
• Erin Barra-Jean
• Leslie Gaston-Bird, Mix Messiah Productions
• Karrie Keyes, Executive Director SoundGirls.org
• Ebonie Smith, Gender Amplified, Inc.
• Terri Winston, Women's Audio Mission

Abbey Road Spatial Audio Forum: Audio Production in the Metaverse

• Stephen Barton, Afterlight
• Anastasia Devana, Hear XR
• Gavin Kearney, University of York
• Muki Kulhan, Muki-International. Ltd
• Ana Monte, DELTA Soundworks
• Mirek Stiles, Abbey Road Studios

Women in Audio Project 2000, A Retrospective

• Laurie Anderson
• Roma Baran
• Carol Bousquet
• Leslie Gaston-Bird, Mix Messiah Productions
• Meredith Goldstein
• Stephanie Hull
• Angela Piva, Adjunct Professor, Audio Recording & Music Production Specialist, Brooklyn College of the City University of New York

NFTs Demystified: What Every Audio Engineer (and investor!) Needs to Know

• Chris Cooke, CMU
• Jeremy McKane, OCN/The McKane Organization
• Heather Rafter, RafterMarsh
• Antony Randall, Planet Home

Tech Tours: STMPD Recording Studios

*Keynote Address* A Peek Under the Hood of Perceptual Audio Coding: A review of the history and a look into the future

• Marina Bosi, CCRMA, Stanford University

Tech Tours: Level Acoustics and Vibrations Lab

Listening Test Data Analysis for Everyone: An A/B Test for Car Audio

• Darlene Williamson, Harman International