Listening Test Data Analysis for Everyone: An A/B Test for Car Audio

• Darlene Williamson, Harman International

Audio Mythology, Human Bias, and How Not To Get Fooled

• Michael Lawrence, Rational Acoustics
• Ethan Winer

Modern Digital to Analogue Converters: HOW many bits!?

• Jamie Angus-Whiteoak, University of Salford

Starting Your Brand Like A Boss

• Amie Chatterley, CapsaArx Studios
• Oisin Lunny, Galaxy of OM, S.L.
• Helga Osk Hlynsdottir, Serious.Business

Next generation audio for advanced music creations and distributions

• Kimio Hamasaki, ARTSRIDGE LLC
• Hideo Irimajiri, WOWWOW Inc.
• Toru Kamekawa, Tokyo University of the Arts
• Kazuya Nagae, Nagoya University of the Arts

Loudspeaker Virtualization for Immersive

• Lasse Nipkow, Silent Work LLC

Bridging the Technical Divide: Techniques for effective communication with artists

• Nic Britton
• Amie Chatterley, CapsaArx Studios
• Lucy Harrison, ACM
• Matthew Russell, ACM

The Sound of Things

• Agnieszka Oltarzewska, Siemens Digital Industries

From Live to Virtual and Back: Is Hybrid the Future of Audio?

• Jim Ebdon, Ebdon Music
• Laura Escudé, Artist/Entrepreneur
• Heather Rafter, RafterMarsh
• Antony Randall, Planet Home
• Frederick Umminger, Roblox Corporation
• Dave Van Hoy, Advanced Systems Group, LL

Introduction to Copyright Laws for Sound Engineers and Creatives

• Philipp Lengeling, RafterMarsh
• Mark A. Pearson, ARC Law Group